Emily Swallow
The Swallow's Broadway career began with a number of performances, such as High Fidelity (as well as King Lear and The Taming of the Shrew), Cat on a Hot Tin Roof, A Midsummer Night's Dream at the Guthrie Theater. The off-Broadway productions include Romantic Poetry (as well Shakespeare in the Park) and Measure for Pleasure, which were the world premieres of both. Swallow started her career as a film actress with the 2008 military thriller The Lucky Ones. She was in several world premieres, such as Donald Margulies' The Country House at Los Angeles' Geffen Playhouse; Louis Jenkins' Nice Fish in Minneapolis' Guthrie Theatre opposite Mark Rylance[citation required] John Patrick Shanley's Romantic Poetry in Manhattan Theater Club. Her performance in The Taming of the Shrew received The Taming of the Shrew Falstaff Award. Swallow and Jac Huberman, who is a singer/comedian, created a stage production called Jac N Swallow in 2012. They performed the show at the New York's Laurie Beeckman Theater, and Joe's Pub. [5] This show is focused on comedy adventures as the two navigate different life situations with varying levels of sanity. The series is in the process of being made based on these characters. She collaborated in 2013 together with Mark Rylance, poet Louis Jenkins as well as Guthrie Theater. Guthrie Theater on the premiere of Nice Fish. In 2016, Center Theatre Group cast Swallow in Ayad Akhtar and Disgraced. Her first TV role was in Guiding Light, and she later played parts on Southland, Ringer, The Good Wife, NCIS, Flight of the Conchords, Medium in the role of series regular the character Dr. Michelle Robidaux on TNT's medical drama Monday Mornings[2] as well as Rizzoli and Isles. She was FBI agents Kim Fischer as a leading role on the show The Mentalist. 1-7 She was Amara, the Darkness in Supernatural's 11th Season. [8] Starting in 2019 she assumed the character as the Armorer for The Mandalorian, a Star Wars series The Mandalorian as the head of the traditionalist Mandalorians. Because the traditionalists never remove their helmets their faces are not seen. This character is increasingly observed in season 3 because the plot concentrates more on the Mandalorian people and not just the Mandalorian
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